APO HIKING SOCIETY

It truly marked a first for both APO and me. I served as APO's first musical director, a role that endured for over a decade in the late 1970s. In turn, they were the very first artists I had the privilege of directing musically.

However, our bond extended beyond the confines of a professional relationship, evolving into a deep and lasting friendship.

We became not only colleagues but close friends, barkadas, and kumpares in every sense. They even took on the role of being my wedding sponsors.

Together, we traveled and performed across the Philippines and in numerous countries worldwide. From prestigious venues like CARNEGIE HALL (yes, you read it right) to the less glamorous but unforgettable IMPIERNO (no, not hell, but a nightclub in Pasay City), we experienced it all. In between tours, we devoted time to recording songs and albums.

I'm delighted to have contributed in shaping APO's sound, songs, albums, and live performances. Yet, what holds even greater significance to me is what I gained from this collaboration. Working with APO provided me with invaluable opportunities and experiences, allowing me to enhance and refine my skills as a Musical Director.

Our team consisted of just five individuals: APO, myself, and our manager, Butch Dans. In those days, I would carry nothing more than my musical charts, relying on hired musicians or the house orchestra at each venue where we performed. It's quite an adventure to envision - in every city, at every show, and in every unique venue, I found myself rehearsing and performing with a new set of musicians.

I remember one show in Mindanao, although I can't recall the exact town or city, I had to work with the Philippine Army Band stationed there, which added another unique experience to my journey. These experiences and skills are the very building blocks that have shaped me into the musical director I am today.

In all their concerts since the 1970s, APO passionately adheres to performing only their original songs, emphasizing their commitment to their own musical creations. Occasionally, they may include one or two foreign songs as novelty pieces, adding a delightful twist to their repertoire.

What I hold most dear about my journey with APO is not just the musical experience, but the enduring relationships, the deep friendships, the bond of barkadahan, the sense of samahan, and the shared moments of kalokohan. Even though many years have passed since we were last together, the warmth of our friendship remains as strong as ever.